With this sequel to his prize-winning independent previous film, "El Mariachi," director Robert Rodriquez joins the ranks of Sam Peckinpah and John Woo as a master of slick, glamorized ultra-violence. We pick up the story as a continuation of "El Mariachi," where an itinerant musician, looking for work, gets mistaken for a hitman and thereby entangled in a web of love, corruption, and death. This time, he is out to avenge the murder of his lover and the maiming of his fretting hand, which occurred at the end of the earlier movie. However, the plot is recapitulated, and again, a case of mistaken identity leads to a very high body count, involvement with a beautiful woman who works for the local drug lord, and finally, the inevitable face-to-face confrontation and bloody showdown. Written by Tad Dibbern DIBBERN_D@a1.mscf.upenn.edu

A father reminisces about his childhood when he and his younger brother moved to a new town with their mother, her new husband and their dog, Shane. When the younger brother is subjected to physical abuse at the hands of their brutal stepfather, Mike decides to convert their toy trolley, the "Radio Flyer", into a plane to fly him to safety. Written by Alexander Lum aj_lum@postoffice.utas.edu.au

An android fighting-machine (Mario Van Peebles) is charged with destroying a small brigade of rebels in a Latin American war who are fighting to maintain their freedom and protect their village. Contrary to his programming, Peebles decides to stay and assist the rebels in their plight. Having gained this information, his "creators" develop a more powerful android to try and defeat him.